Iraq’s once-thriving film industry is showing cautious signs of revival, as a new generation of filmmakers works to rebuild a cultural sector long affected by decades of conflict and instability.
In Baghdad, abandoned cinemas and deteriorating theatres stand as reminders of a vibrant past, when Iraqi cinema flourished from the 1940s through the 1950s. Today, however, filmmakers are striving to bring the industry back to life despite limited resources and infrastructure.
Director Ali al-Bayati is among those leading the revival, currently working on a horror film he hopes to showcase internationally. “Reviving the cinema sector in Iraq is not easy, but it is not impossible,” he said reflecting a growing sense of determination within the creative community.
Momentum has been boosted by recent international recognition for Iraqi productions such as The President’s Cake, which portrays life during the sanctions era under Saddam Hussein’s rule. The film earned acclaim at the Cannes Film Festival signaling renewed global interest in Iraqi storytelling.
Historically, Iraq’s cinema industry faced significant setbacks during Saddam Hussein’s regime, when filmmaking became a tool for propaganda. This decline deepened after the 2003 US-led invasion, followed by years of conflict that severely disrupted cultural production.
Today, many of Baghdad’s historic cinemas have been repurposed or left in disrepair, while modern audiences increasingly turn to multiplexes in shopping malls showing foreign films.
Efforts are underway to rebuild the industry. Authorities have launched initiatives supporting dozens of film projects, though funding remains limited. Partnerships with international institutions, including agreements with France, aim to restore archives and support local productions.
Despite these efforts, challenges persist. Filmmakers cite a lack of trained crews, limited financial support and insufficient infrastructure as major obstacles. Director Hasan Hadi noted that international expertise is often required due to gaps in local technical skills.
Still, there is cautious optimism within the industry. “There are more people who want to tell their stories and make films but not enough resources,” Hadi said, emphasizing the need for training, funding and long-term support.
As Iraq gradually stabilizes, its film industry stands at a crossroads balancing its rich cinematic heritage with the realities of rebuilding in a post-conflict environment.
Keywords: Iraq film industry revival, Baghdad cinema history, Iraqi filmmakers comeback, The President’s Cake film Iraq, Iraqi cinema challenges
